This week, Gavia and Morgan discuss the new Star Wars prequel film, Rogue One. They dive into the film's racial diversity, its gender imbalance, reshoot issues, that ending, and why Diego Luna should probably just get his own movie already.
Read MoreThis week, Gavia and Morgan discuss Mary Harron's 2000 cult classic American Psycho. Topics discussed include the book's checkered history, the film's depiction of violence, Christian Bale's beautiful shiny face, the film's relationship with Fight Club, and why having a woman director really does matter.
Read MoreThis week, Gavia and Morgan look back at Casablanca. They discuss why the love story is so satisfying, how the studio system has changed, and how the film functions as a piece of propaganda and relates to our current political moment.
Read MoreThis week, Gavia and Morgan discuss the enjoyable but flawed first installment in the new Harry Potter franchise, Fantastic Beasts and Where to Find Them. Topics include the movie's worldbuilding, its problems with race, Colin Farrell's suits, and the future of the franchise.
Read MoreIn this week's episode, Gavia and Morgan discuss the new sci-fi hit Arrival, a rare non-franchise entry into 2016's blockbuster lineup. Topics discussed include how the film steers clear of alien invasion cliches, the pleasures of a brainy female protagonist, and the effect of the election on pop culture.
Read MoreThis week, Gavia and Morgan take a look at Marvel's latest hit, the Benedict Cumberbatch-fronted Doctor Strange. Why is this movie so critically acclaimed? Will Hollywood ever stop making movies about arrogant genius white men? And what's up with all the racism?
Read MoreThis week, Gavia and Morgan celebrate Halloween with Carrie. Starting with that bizarre locker room scene, they discuss the film's depiction of gender, the horror of restraint, Sissy Spacek's hair, and their own considerably less eventful proms.
Read MoreIn this episode, Gavia and Morgan dive into Robert Altman's 1975 classic Nashville, a sprawling ensemble set in the 1970s country music scene. Topics discussed include the film's depiction of women, its status as an unconventional musical, its politics, and... Jeff Goldblum.
Read MoreIn their second dispatch from the London Film Festival, Morgan and Gavia discuss Kenneth Lonergan's heartbreaking masterpiece Manchester by the Sea, as well as Certain Women, Kelly Reichardt's exquisite adaptation of Maile Meloy's Both Ways Is the Only Way I Want It, which won Best Film at the festival's award ceremony. They also run down other films they saw at the fest, including Una, A Quiet Passion, Wolf and Sheep, and more.
Read MoreIn the first of two dispatches from the London Film Festival, Morgan and Gavia discuss three films: Damien Chazelle's Oscar-buzzy musical La La Land; Jim Jarmusch's drama Paterson, with Adam Driver; and Olivier Assayas odd supernatural drama Personal Shopper, starring Kristen Stewart. Coming soon: Manchester by the Sea, Certain Women, and more.
Read MoreIn this week's episode, Morgan and Gavia discuss the 2007 film Atonement. Topics include, but are not limited to: the difficulties of adapting an unadaptable novel, WWII in film, Great House dramas, That Ending, and whatever happened to James McAvoy.
Read MoreAfter a brief hiatus, Morgan and Gavia return to discuss the first presidential debate. Through a haze of existential despair, they discuss topics including, but not limited to, debate strategy or lack thereof, Hillary Clinton's extraordinary self-control, Donald Trump's sexist buffoonery, the futility of fact-checking, when ISIS was founded anyway, and whether anything matters.
Read MoreThis week, Morgan and Gavia revel in the Gene Kelly classic Singin' in the Rain. Topics discussed include the film's relationship to Hollywood, its treatment of women, its influence on contemporary film, and why it's just so damn fun to watch.
Read MoreThis week, Gavia and Morgan look back on the summer's movies and wonder what went wrong—possible answers include Hollywood's superhero problem and its remake obsession—and look forward to some of the more dire upcoming big-budget releases. They also recommend some of the best films of the year so far.
Read MoreThis week, Morgan and Gavia (but mostly Morgan) discuss the Rio Olympics, starting with The Saga of Ryan Lochte and moving on to topics including but not limited to the inherent problems with the Olympic Games, NBC's bad coverage, Michael Phelps' hyperbaric chamber, Simone Biles' dominance, and men crying.
Read MoreIn this week's episode, Morgan and Gavia dissect what may be the year's worst film, the DC extended universe's Suicide Squad. They cover the film's many flaws, from its incomprehensible plot to its myriad cast of unnecessary characters to its problems with sexism and violence, in addition to discussing its troubled production history and how it fits into DC's plan for the franchise moving forward.
Read MoreIn this bonus episode, Gavia recounts the often bewildering plot of Harry Potter and the Cursed Child to Morgan, who hasn't read it and isn't planning to. Spoilers abound. Other topics include the play's similarity to fanfiction, queerbaiting, reboot culture, and when to just let go.
Read MoreThis week, Morgan and Gavia finally go deep on their favorite show, the long-running America, in its historic 240th and final season. They discuss the surprising twist in this season's Republican primary, how the internet fueled Trump and Sanders fandom, perennial representation issues, and what the last few months of the most popular TV show in the country might have in store.
Read MoreMorgan and Gavia check in from their summer travels. This chat show episode somehow spans Star Wars Celebration, Michelangelo, Morgan's high school history curriculum, and Pokemon Go. Tune back in next week for a special episode and a return to regular programming.
Read MoreGavia and Morgan go deep on one of their favorite films, Alfonso Cuarón's 2006 dystopian quasi-thriller Children of Men. On top of some fond reminiscing and general enthusiasm, they consider the film's technical mastery, how its political commentary has aged, and the glory of Clive Owen at his peak.
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